The chronicle is the expression of the irreversible time of power and also the instrument that preserves the voluntaristic progression of this time from its predecessor, since this orientation of time collapses with the fall of every specific power and returns to the indifferent oblivion of cyclical time, the only time known to peasant masses who, during the collapse of empires and their chronologies, never change. The owners of history have given time a meaning: a direction which is also a significance. But this history deploys itself and succumbs separately, leaving the underlying society unchanged precisely because this history remains separated from the common reality. This is why we reduce the history of Oriental empires to the history of religions: the chronologies which have fallen to ruins left no more than the apparently autonomous history of the illusions which enveloped them. The masters who make history their private property, under the protection of myth, possess first of all a private ownership of the mode of illusion: in China and Egypt they long held a monopoly over the immortality of the soul, just as their famous early dynasties are imaginary arrangements of the past. But the masters’ possession of illusion is at that moment the only possible possession of a common history and of their own history. The growth of their real historical power goes together with a popularization of the possession of myth and illusion. All this flows from the simple fact that, to the extent that the masters took it upon themselves to guarantee the permanence of cyclical time mythically, as in the seasonal rites of Chinese emperors, they themselves achieved a relative liberation from cyclical time.

- Guy Debord